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On a June day in 1965, a young man walked across a stage to receive his college diploma. Every graduate that day was filled with the hope of a bright future, but this one was different. Hartley Peavey had no aspirations of landing a dream job or working his way up someone else's ladder. In the spirit of the times, he was bound and determined to do "his thing." The previous few years had proven that Hartley's "thing" was building amplifiers (he had already received his first patent by 1964). So on that day, with a few thousand dollars he had scraped together and a logo he had sketched out in high school, Hartley Peavey set up shop in Meridian, MS and Peavey Electronics was born.
This time in the MI industry was the age of the conglomerates, as practically every major player had been purchased by corporations outside of the industry. The end result was increased prices and decreased quality. Every struggling musician sang the same lament - "why can't anybody make good equipment for a reasonable price?" This was all the opportunity that Peavey needed.
Soon after the first Peavey product was launched, musicians began to take notice and the industry was left scratching its collective head. How did he do that? And how did he do it for that price? The finer technical points are all well documented at the U.S. Patent Office, but the one common factor that all Peavey products shared was that they weren't built to make money. They were built to make music.
This philosophy altered the course of the music industry and continues to drive Peavey Electronics today. Consequently, the company has been building amplifiers continuously under the same ownership and management longer than any other major American amplifier manufacturer and is one of the world's largest manufacturers of musical instruments and professional sound equipment. Peavey produces more than 2,000 products sold in 137 countries and has earned more than 180 patents worldwide.
Hartley's belief that to make something better, you have to make it differently also changed the way musical instruments were manufactured. Peavey brought the industry into the 21st century 25 years early by employing computers on the production line. By adapting the CNC routing and copy lathe methods that had previously only been used in furniture and gun making, Hartley produced the first truly computer machined, precision made musical instruments. Although Peavey was the first to employ these production techniques, today they are industry standards.
2010 has seen Hartley Peavey honored with the MIPA Hall of Fame Lifetime Achievement Award, the highest honor given in the global music-products industry. Winning the lifetime achievement award hasn't slowed Hartley down - he is still looking ahead and dreaming up his company's next big innovations. Stay tuned to see what's next from Hartley Peavey and his revolutionary brands.
Featured Product
Vypyr® 15
Featuring 24 amp channel models -- both the clean and distorted channels of 12 popular amps for the first time anywhere -- plus 11 editable post-amp "rack" effects with dual-parameter control. Players can use up to four effects simultaneously. 32-bit floating point Sharc processor. Studio quality headphone output. MP3/CD/Aux input. The entire six-model Vypyr® Series features the easy-to-use Peavey WYSIWYG (What You See Is What You Get) interface.
JF-1™ EXP Sunburst
The Peavey JF-1™ hollow-body electric guitar plays like a dream. Jazz and fusion players are constantly playing up and down the fretboard and need as much access as possible, especially in the upper registers. Peavey took this classic design one step further by ever so slightly angling the neck to allow more comfortable access to the upper register of the fretboard.
- 24 3/4 inch scale
- Set-neck guitar with hard rock-maple neck Rosewood fretboard
- Maple multi-laminate body
- Figured maple cap Cream binding on body and neck
- 22 frets
- New Custom Bow-tie inlay Die-cast machine heads with tulip buttons
- Dual adjustable torsion rod
- Tune-o-matic bridge and stop tailpiece
- Two Peavey USA design humbucking pickups
- Black/white/black pickguard
- Two tone and two volume controls with three-way switch
- Gold-plated hardware
- Case available through Peavey Accessory Program
- Weight Unpacked: 8.00 lb(3.628 kg)
- Weight Packed: 12.00 lb(5.443 kg)
- Width Packed: 4.25"(10.795 cm)
- Height Packed: 43.5"(110.49 cm)
- Depth Packed:
21"(53.34 cm)
Versarray™ 112
The Versarray 112 ribbon-driver line array utilizes a high-performance, lightweight 12" Neo Black Widow® woofer featuring a dual 4" flat wound voice coil with a neodymium magnet structure in a 13-ply Baltic birch enclosure. The Versarray 112 offers extreme versatility and performance in modular coverage of small- to medium-sized venues and is intended for use with Versarray 118 or 218 subs. Sound Guard™, Peavey's proprietary protection circuitry, provides long- and medium-term driver overload protection without impairing musical transients or dynamics. Available in Black or Off-white